Se trailerWith CARL JOHAN DE GEER Filmmaker, ELISABETH OHLSSON Fotographer, KIRSI NEVANTI filmmaker, URBAN HAMID Journalist.
AIDA CHEHREHGOSHA fotogaf.
Arranged in collaboration with K special, SVT and The Swedish Filminstitute, Admission free with the Tempo Membership card.
Admission free with the Tempo Membership card!
Se trailerAdmission free with the Tempo´s membership card!
A conversation with Per Zetterfalk about his pioneer work at Dramatiska Institutet. Per Zetterfalk is the first doctoral student of the Dramatiska Institutet. He defended a thesis subject in artistic... Read more
A conversation with Per Zetterfalk about his pioneer work at Dramatiska Institutet. Per Zetterfalk is the first doctoral student of the Dramatiska Institutet. He defended a thesis subject in artistic formation last year, with special alignment in scripts and direction.
In his work he has followed Lars Noren’s creativity process and SVT:s largest entartainments takes as Riket. The results are the fine print Inter esse(Gidlunds förlag) and the film Kall (Folkets Bio).
What can science learn from a documentary filmmakers choices and methods?
-The pressure of time urges researching and development of new
Se trailerFree entrence with the Tempo Membership card!
Se trailerIn Swedish.... Read more
In Swedish.
http://www.tempofestival.se/english/archive/#how-close-can-i-get
Se trailerVaughan Giose, producer for Ikon South Africa and David Aronowitsch, one of the project founders of Story AB, visit Tempo to discuss how, through workshops, hard work and not least through collecting... Read more
Vaughan Giose, producer for Ikon South Africa and David Aronowitsch, one of the project founders of Story AB, visit Tempo to discuss how, through workshops, hard work and not least through collecting hundreds of ideas from all over South Africa, have assisted a number of film projects to reach a large South African and international audience. Besides this official visit, the founders of Ikon Sweden and Story AB meet young black filmmakers from the townships. Friendships developed, which led to the establishment of a platform for emerging filmmakers with important stories to tell.
During Tempo a retrospective of films from Ikon South Africa will also be shown.
More information: www.rainbowcirclefilms.co.zat och www.story.se
http://www.tempofestival.se/english/archive/#ikon-south-africa
Se trailerArranged in collaboration with European Documentary network with the help of Dramatiska Institutet.
How do you approach the German/French broadcaster ARTE with an idea for an international co-production? Can you make a documentary for the international audience, where your main characters are ̵... Read more
How do you approach the German/French broadcaster ARTE with an idea for an international co-production? Can you make a documentary for the international audience, where your main characters are ’speaking poetry’? What kind of documentaries work on the international market? These and many other aspects will be covered at MARATHON DOC, which is organised in collaboration with EDN.
The Swedish documentary film festival Tempo is putting a focus on the documentary film industry by organising the two day seminar Marathon.doc. The last day of this seminar will be focusing on international co-production of documentaries.
The last day of Marathon.doc will bring important players from the European documentary scene to share knowledge and information with the Swedish documentary sector about cross-border co-prodution of documentaries. For the 2009 edition you will meet Commissioning Editor Peter Gottschalk from ARTE and Director Brian Hill.
Peter Gottschalk is a commissioning editor at Unite Documentaires at the ARTE G.E.I.E. This central office of ARTE, located in Strasbourg, is responsible for the editorial line of programmes, the programme schedule and the broadcast. ARTE G.E.I.E. delivers 542 hours of programming a year: current affairs, information and theme evenings.
ARTE was launched in 1991 with the intention to create a new specifically European television culture. Documentaries represent about 40% of total programming or approx. 500 hours annually; not including the strand Thema, which is thematically evenings three times a week, including documentaries ARTE transmits by satellite, cable and terrestrial network and is financed by license fees.
The storytelling tools and approaches in the British director Brian Hill’s documentaries are often unconventional and constructed. But for Hill these staged scenes are a natural choice and element in order to describe reality in the best and most precise way.
Brian Hill is the managing director of Century Films and directs both drama and documentary. He has made over 60 films for the BBC, Channel 4 and ITV, many of which have won awards from the British Academy of Film and Television, and the Royal Television Society, including his landmark films with poet Simon Armitage, which saw a development of the documentary musical.
The programme for Marathon.doc is:
10:00 - 12:00 How to Co-produce with ARTE?
The German/French broadcaster ARTE is one of the most important players on the European market for documentary. However, finding the right contact and way in at the station can be difficult and hard to navigate. During this session Peter Gottschalk from ARTE will explain the structure of the broadcaster, what kind of slots are broadcasting what kind of documentaries and who to contact in relation to certain themes and content. Included in the session will be examples of recently documentaries broadcasted by ARTE.
12:00 - 13:00 Lunch
13:00 - 14:30 Screening: The Not Dead
During this master class, which will be based on the screening of The Not Dead, Brian Hill will talk about his approach to storytelling in documentary film, how he is working with staged scenes and how he makes documentaries, which are appealing for an international audience.
14:30 - 15:00 Break
15:00 - 16:30 Master Class with Brian Hill
Singing women prisoners in an intimate portrait of life in a female prison. War veterans with post traumatic stress disorder telling their stories through poetry. Stars from the pornography business depicting the unpleasant aspects of the industry in a musical documentary.
Price allday: 130 SEK (Fi entrence for accredited)
http://www.tempofestival.se/english/archive/#marathon-doc
Se trailerWant to produce feature documentaries? Combine the blind faith of a monk, the self-righteousness of a political prisoner, and the spin of an ad executive. Then improvise. Mila Aung-Thwin has produced... Read more
Want to produce feature documentaries? Combine the blind faith of a monk, the self-righteousness of a political prisoner, and the spin of an ad executive. Then improvise. Mila Aung-Thwin has produced films such as Up the Yangtze, Antoine, Rip! A Remix Manifesto and Last Train Home, grand prize winner at IDFA. He will cover producing, from concept through distribution, using examples from Taqwacore: The birth of punk islam and Inkulal, a co-pro with Sweden’s Linda Vastrik.
Read about the film TAQWACORE: THE BIRTH OF PUNK ISLAM
http://www.tempofestival.se/english/archive/#masterclass-mila-aung-thwin-eyesteelfilmWhat happens when the newsfeed’s cameras are switched off? The Online Documentary Project From Zero depicts the aftermath of the earthquake, which devastated the mountain region of Abruzzo in Italy i... Read more
What happens when the newsfeed’s cameras are switched off? The Online Documentary Project From Zero depicts the aftermath of the earthquake, which devastated the mountain region of Abruzzo in Italy in April 2009. In sharp contrast with the sensational images that the mainstream news outlets broadcast, this project described, through observations of the minutest details, the slow reconstruction of a community.
Meet Stefano Strocchi, producer and founder of the project. During this masterclass, he will discuss how the project developed, together with the specific advantages and limitations that the online documentary format offers.
This seminar is arranged in collaboration with EDN – European Documentary Network with support of the Italian Cultural Institute.
http://www.tempofestival.se/english/archive/#masterclass-online-documentary-project-from-zeroFilmkontakt Nord’s Nomadic Office returns to Tempo! Offering individual guidance sessions regarding Nordic and international documentary film financing. Swedish filmmakers with new documentary projec... Read more
Filmkontakt Nord’s Nomadic Office returns to Tempo! Offering individual guidance sessions regarding Nordic and international documentary film financing. Swedish filmmakers with new documentary projects will receive an evaluation of their project’s Nordic and international potential. The Nomadic Office can even offer advice on further development and other potential funding sources. A maximum of ten projects will be offered a consultation.
Applications to be received by Friday 19th February at the latest to: karin@filmkontakt.com. Attach a synopsis (max. 3 pages), outline budget (max. 1 page) and a Filmography/CV (max. 1 page).
Thursday and Friday, 10.00 – 17.00, by prior arrangement, at Rio.
http://www.tempofestival.se/english/archive/#meet-filmkontakt-nord-at-tempo
Se trailer
Se trailerAdmission free with the Tempo´s membership card!
Se trailerIn Swedish.... Read more
In Swedish.
http://www.tempofestival.se/english/archive/#talent-programme-film-stockholm-filmbasenIn Swedish... Read more
In Swedish
http://www.tempofestival.se/english/archive/#the-future-of-documentary-film-visionary-film-political-discussion
Se trailerThe Power Over the Picture Which principles are our impressions of Africa based upon, and who or what influences them? This discussion will explore what the ‘power over the picture’ involves, in re... Read more
The Power Over the Picture
Which principles are our impressions of Africa based upon, and who or what influences them? This discussion will explore what the ‘power over the picture’ involves, in relation to the festival’s main theme: Africa Update. Twenty-one documentaries from different countries in Africa have been selected, which together offer a portrayal of the complex nuances of the contemporary situation on the continent.
The seminar participants have been invited due to their extensive knowledge and direct experience with these questions. They include Victoria Kawesa, PhD researcher in gender studies at Linköping University, Stefan Jonsson, author and journalist for Dagens Nyheter, together with Mandisa Zitha, Festival Director of Encounters South African International Documentary Festival.
Presented in collaboration with the Shahrazad project, Arenagruppen and CinemAfrica.
More information: www.cinemafrica.se, www.shahrazadeu.org, www.arenagruppen.se
http://www.tempofestival.se/english/archive/#the-power-over-the-picture
Se trailerIn Swedish.... Read more
In Swedish.
http://www.tempofestival.se/english/archive/#white-ants-black-ants
Se trailerStudents from The University College of Film, Television and Theatre (Dramatiska Institutet) in Stockholm and the ISIS film school in Ouagadougou, Burkina Faso, (with four students representing each ... Read more
Students from The University College of Film, Television and Theatre (Dramatiska Institutet) in Stockholm and the ISIS film school in Ouagadougou, Burkina Faso, (with four students representing each institution) have recently finished shooting collaboratively-produced films in Burkina Faso and are currently editing at DI in Stockholm. Simultaneously, a similar project has been running in Ramallah, Palestine hosted by the film organisation Shashat.
Students from Stockholm, Ouagadougou and Ramallah, Palestine, will show films and works in progress and discuss their work.
Presented in collaboration with Dramatiska Institutet and the Swedish Institute
For Industry accredited guests only
http://www.tempofestival.se/english/archive/#works-in-progress-sweburpal
Se trailerAdmission free with the Tempo´s membership card!
Se trailerAdmission free with the Tempo´s membership card!
Se trailerAdmission free with the Tempo´s membership card!
Se trailerAdmission free with the Tempo´s membership card!
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